(Accordion, vocals, 1925–87) This Opelousas, Louisiana native cut his teeth on French dance tunes flavoured by Creole blues, as played by his musical forebear Amédée Ardoin. Chenier invented the zydeco style by adding elements of R&B, country and rock’n’roll, combined with a swinging beat. He enjoyed a string of hit singles, including his career-making ...
Composed: 1896 Premiered: 1896, Milan Libretto by Luigi Illica Act I During the early days of the French Revolution, Gérard, a servant, is secretly in love with Maddalena, daughter of the Contessa de Coigny. Among the guests at the contessa’s soirée is the poet Andrea Chénier. The other guests are offended by his call for liberty ...
(Piano, vocals, b. 1949) One of the leading exponents of the Professor Longhair school of piano playing, East Texas-born ‘Long Tall’ Marcia Ball was also greatly influenced by R&B divas Irma Thomas and Etta James, and zydeco king Clifton Chenier. Her infectious blend of modern Texas roadhouse blues, boogie-woogie and Louisiana swamp rock is best exemplified ...
(Bass, piccolo bass, b. 1937) A consummately professional bassist, Ron Carter possesses a distinctive tone and phenomenal dexterity that place him at the upper level of jazz rhythmists. In the early 1960s Carter joined drummer Chico Hamilton’s popular quintet, then worked with Eric Dolphy, Don Ellis, Thelonious Monk, Cannonball Adderley and Art Farmer. From ...
A blues guitarist best known for his slide-guitar work, Sonny Landreth (b. 1951) was born in Canton, Mississippi. The family relocated to Lafayette, Louisiana, where Sonny was immersed in the area’s swamp-pop and Zydeco music. Beginning as a trumpeter, he was already a virtuoso guitarist in his teens. His earliest role model was Scotty Moore, ...
Cajun emerged from a European tradition of contredanses, two-steps and waltzes; zydeco, the black equivalent, grew out of the work songs of the black farmers who had settled in Louisiana. Life in the poorest state is still hard, and cotton and crawfish still rule: at least there are some things the settlers of the eighteenth century would ...
New Orleans is widely acknowledged as the birthplace of jazz, but it also produced its own indigenous brand of blues, which borrowed from Texas and Kansas City while also making use of Cajun and Afro-Caribbean rhythm patterns. A mix of croaking and yodeling, floating over the top of the music in an independent time scheme, Professor Longhair’s ...
Of the entire century, the 1970s were the years of catching one’s breath. Superficially, the promise of the 1960s had faded or failed, the victim of wretched excess and just plain bad taste. America’s war in Vietnam sputtered to an end, international relations elsewhere seemed to stalemate in détente and economically the world suffered from stagflation: exhaustion ...
Albert Clifton Ammons was born in Chicago, Illinois in March 1907. As a young man he learned from Jimmy Yancey, who cast a long shadow over Chicago blues pianists through his work at rent parties, social functions and after-hours jobs. Ammons came to know other pianists and the blues specialists gathered together in Chicago to create a coterie ...
1890–1957 Italian tenor Gigli made his debut in Italy in 1914, and sang Faust in Boito’s Mefistofele at Bologna and Naples the following year. He made his Metropolitan Opera debut in Mefistofele in 1920. The operas in which he appeared at the ‘Met’, where he sang for 12 seasons, included La bohème, Ponchielli’s La gioconda and Meyerbeer’s L’Africaine. ...
William John Clifton Haley was born on 6 July 1925 in Highland Park, Detroit, and raised near Chester, Pennsylvania. His parents were both musical, and he got his first proper guitar when he was 13. Even though he was blind in one eye and shy about his disability (he later tried to distract from it with his ...
1924–2014 Italian tenor Bergonzi studied as a baritone, singing Rossini’s Figaro in Lecce in 1948 before retraining as a tenor. His second debut was as Giordano’s Andrea Chénier in 1951. He sang regularly at the Metropolitan Opera 1956–88. At Covent Garden, where he made his debut in 1962, he sang many roles including Verdi’s Alvaro and Manrico (conducted ...
1924–2014, Italian Known as ‘the tenor of all tenors’, Bergonzi had a lyrical voice that was both refined and intense. Vocal lessons were interrupted when he was interred in a prisoner-of-war camp, but resumed upon his release and in 1947 he began to make a series of debuts as a baritone. Retraining his voice, he emerged four years ...
(Oom-bâr’-to Jôr-da’-no) 1867–1948 Italian composer A leading member of the verismo school, Giordano has been much criticized for dramatic crudity and melodic short-windedness. He remains popular with singers, however, who value his effectively flattering vocal writing, and with audiences, who respond to his sense of the stage and his emotional power. Such works as Andrea Chénier ...
1867–1948, Italian Having successfully avoided the career of fencing master intended for him by his father, Giordano studied at the Naples Conservatory and entered a one-act opera, Marina, in the Sonzogno competition in 1889. This was the year in which Mascagni blew away the competition with Cavalleria rusticana and Giordano came a respectable sixth. Even so, ...
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